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Person
| Nom de la Personne | Ootani Hiroji III |
|---|---|
| Autre Noms |
Yoneyama Tokugorō
([Nom de l`enfance] Childhood name) , Toshū ([Nom de l`enfance] Childhood name) , Ootani Haruji I ([Nom de scène au début] Earlier stage name) , Ootani Oniji II ([Nom de scène au début] Earlier stage name) , Honshū ([Nom de plume] Pen or literary name) , Tōshū ([Nom de plume] Pen or literary name) , , , Ichikawa Danzō |
| Sexe | [mâle] Male |
| Identité Culturelle | Japanese |
| Pays de Résidence | Japan |
| Date de Naissance | [1746 - 1746] 1746 - 1746 |
| Date de Mort | [ Mai 11, 1802] May 11, 1802 |
| Genre Spécialisations | Kabuki |
| Liens Géographiques | Edo (Japan) (historic name), Echigo (Japan) (historic region) |
| Source(s) |
Kabuki Jinmei Jiten
(p.161) , The Actor's Image: Print Makers of the Katsukawa School (p.485) |
| Notes | Character types: jitsugoto; chivalrous commoners (otokodate). Group affiliations:Maruya.Otani Hiroji III was initially Yoneyama Tokugoro. He became a student of Otani Hiroji II, took the name Otani Haruji, and worked at Ichimura Theater in Edo. In 1758 he changed his name to Itani Oniji II, and in 1762 he became Otani Hiroji III. In 1780 he took a travelling production in Echigo with Matsumoto Koshiro and Ichikawa Yaozo, and returned to Edo the following year. He last performed at Morita Theater in 1798. He was good at jidaimono and exteremely popular with female spectators, but in his late career he lost popularity. He was active from 1755 to 1798. |
Associated Items
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